THE LATEST
Signal NYC was celebrating its first anniversary last weekend and simultaneously launching “Signal Night and Day, where Fridays become all-nighters into Saturday days”.
If you are coming to Detroit for the Movement Music Festival expecting a normal electronic music festival, recalibration is necessary almost immediately.
SPOTLIGHT
MUSIC REVIEWS
South London-born musician, vocalist, and electronic producer, Laura Misch, who brings an exceptionally rare awe and fulfillment every time you come across her work, blends jazz, ambient, and experimental music by fusing her primary instrument - saxophone, voice elements and multi-layered synthesis to explore human connection and the natural world.
Set in the year 2097, “A Trip to Vega” documents humanity’s last exodus from Earth, after a catastrophic planetary transformation that makes life unsustainable. Decades of disasters, including pandemics, wars, resource shortages, and a devastating solar event, have luckily survived, but this crisis has no solution.
Very few artists have influenced the trajectory of electronic music and techno as Luke Slater has. Hailing from the UK rave explosion of the late 1980s, Slater has built a legacy as one of electronic music’s most versatile and influential figures, continuously experimenting and reinventing himself through aliases such as The 7th Plain, L.B. Dub Corp, and, most notably, Planetary Assault Systems
“We do combine Bass Music, Alien Rituals, Chaos Magick” - that is the up-your-face way they present themselves on their Instagram bio. Though it may sound ambiguous to an unsuspecting listener, it couldn’t have been more articulately put. Breaking it down, Dadub make Bass Alien Chaos in a musical, ritualistic, and personally magical way since 2007.
The new release from Somov Records features four remixes of Ignez original tracks, reimagined through the perspectives of Rødhåd, Sterac, Ø [Phase] and Mathys Lenne.
Joshwa - Out Of My Mind.
It’s a track that’ll move dancefloors, not mountains. Safe bets pay off, if that’s what you’re into after all.
THE COMMONS
THE COMMONS
The Commons is Unmixed’s public discourse platform. It is not an open comment free-for-all, and it is not a one-directional editorial broadcast.
It is a curated exchange between:
Editors
Artists
Organizers
Readers
Cultural workers
Scene participants
We publish contradiction.
We welcome disagreement.
We reject harm disguised as “opinion.”